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Imported from Last.fm Tumblr by JoeLaz
My entry for the Weekend Project: Black Transitions.
**update** Vimeo has picked “Offside” as the winner of the weekend project.
Thanks to everyone for your kind comments. It was a little tricky to get all the transitions on camera, but I always love a good challenge.
Shot with the Canon EOS 7D with a Nikon 28mm f2.8 manual lens.
Song “HFM” by Ghostland Observato
Offside (Weekend Project: Black Transitions) on Vimeo (via Vimeo)
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Director/Screenwriter/Producer/Editor: Tim Bollinger
Cinematographer: Daniel Meinl
Sounddesign: Michael Fakesch designingsounds.com
Between on Vimeo (via Vimeo)
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I’ve this whole week finishing up a few paintings, but most importantly framing a lot of my work. Here is one of them. It’s a bit older piece, but I’ve always wanted to frame it considering the fragility of the paper that is used.
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Teens Arraigned In Alleged Gang Rape Of Calif. Girl by The Associated Press AP - October 29, 2009 Wearing bulletproof vests, three teen suspects appeared for the first time in court Thursday on charges of gang raping a 15-year-old girl outside a high school dance in Richmond, Calif., while as many as two dozen people watched without calling police. Defendant Cody Ray Smith, 15, pleaded not guilty, while Ari Abdallah Morales, 16, and Marcelles James Peter, 17, did not enter pleas during their arraignment in Contra Costa County Superior Court.
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D*Face, Artist :: Off The Wall
London artist D*Face recounts the influence of American & NYC culture, the significance of having his first solo NY show at the Jonathan LeVine Gallery and explains how this body of work is an assemblage of the visual imagery during his lifetime journey.
D*Face, Artist :: Off The Wall on Vimeo (via Vimeo)
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You can throw all the stones you want in a Plexiglas house
Rohm and Haas Company, 1947
Used during the war for bomber noses and other enclosures on every type of Army and Navy plane, as well as airplane windshields, canopies, and gun turrets, Plexiglas became known as “aviation’s standard transparent plastic.” In this short film, showcasing the “Dream Suite of Tomorrow”, the plastics industry makes the transition from military applications to peacetime uses. New technical developments in synthetic materials during the 1940s brought about futuristic designs for the home, and in a limitless range of colors, too. Wonder & marvel abound.
This clip is part of the Prelinger Archives and can be found on the Internet Archive“Looking ahead, through Plexiglas brings a glimpse into a wonderful tomorrow. A tomorrow where this crystal clear plastic turns its amazing characteristics to beautifying the home to sweep away traditional styling in interior architecture.
Planned by the Rohm and Haas Company, pioneers and principal producers of acrylic plastics, to show architects, designers, and homeowners just how Plexiglas can add to the beauty and comfort of the home, this home of tomorrow, this dream suite reveals new uses for plexiglas in walls, doors, and fixtures, glamorous effects in accessories and fittings all inviting and warm to the touch, amazingly light in weight, yet strong and shatter resistant.
Here is comfortable and practical living built around the amazing properties of the most glamorous plastic of all, Plexiglas. Here is great service in industry built around the versatility of this war-famed plastic, Plexiglas. Here too is an exciting challenge to the imagination, and a vision of things to come when you are looking ahead through Plexiglas.”
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James Turrell Bridget’s Bardo (Ganzfeld Piece), 2008
In collaboration with the Kunstmuseum Wolfsburg, the American light artist James Turrell has created his largest-ever walk-in light installation in a museum context: an 11-metre-high, ‘space within a space’ structure that covers a floor area of 700 square meters and reaches up to the glass roof of the museum. Turrell’s “Ganzfeld Piece:Bridget’s Bardo” is a hollow construction divided into two parts. The two interconnecting chambers ‘the Viewing Space’ and the ‘Sensing Space’ are both completely empty and – a new feature of this type of work – flooded with slowly changing colored light. via…
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Jordan Eagles BAR 1-9, 2009 (installation view)
He makes these by preserving the blood on plexiglass. If you had just told me about this piece I would have probably rolled my eyes at you and complained about what a boring idea, but actually looking at the pieces, it’s really quite beautiful.
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The Drop Shadow Talks starting this evening, October 27th, 2009The digital drop shadow is the most popular effect in computer graphics today. Easily applied, it made its way to modern graphic design and advertising. It raises typography and objects from a flattened background into three-dimensionality—and thus significance.
More information about dates and speakers: http://dropshadowtalks.com
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Singer Bing Crosby, sometimes dismissed as simply a crooner, was in fact, according to jazz historian Gary Giddins, “the most influential and successful popular performer in the first half of the twentieth century.” Bing was an artistic maestro who made everything he did look effortless, one of the founding fathers of modern pop culture, and also led the technology forefront in broadcasting and recording innovations. Bing Crosby gave us the most popular recording of all time, “White Christmas”, had an astounding 396 hit records between 1927 and 1962 (Frank Sinatra had 209, Elvis 149, the Beatles), and holds the all-time record for #1 hits, with 38 in all, far outdistancing the Beatles’ 24 and Elvis’s 18.
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This is off the new Twilight Soundtrack.
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